#Logic pro x tutorial beat making how to#
#Logic pro x tutorial beat making free#

The attack has an inverse relationship with the transient – so that a quicker attack squashes the drum’s transient, while a slower one preserves the attack, making the transient sharper.

#Logic pro x tutorial beat making free#

The key to getting the right sound isn’t so much the amount of compression (although, of course, you want the gain reduction to actually be moving), but the relationship between the attack and release. If you want to create some serious Beats fruity loops instrumentals beat maker drum machine dj mixer rap beats free beats instrumental beats rap. Start by focusing on the kick and snare, as these elements contain the force behind your drum groove. One dramatic way of changing the presentation and drive of the kit is the addition of compression. As we saw earlier, the big benefit of the Electronic Drum Kits is that they’re presented with faders for each key instrument (kick, snare, hi-hat, toms, and so on), letting you quickly explore the addition of processing like compression, EQ and reverb on a drum-by-drum basis. Into the grooveīeyond the programming of the drum track, it’s also important to consider the processing on the drum samples, as this often forms one of the key components behind the vibe of many commercially produced drum loops. By moving to faster note divisions – like 32nd and 64th note – you can start to replicate drum rolls and drags, or rapid, glitch-like drum tracks where a sample is rapidly retriggered. Enter your email address to stay up to date with the latest offers, tutorials. by Timbaland in FL Studio 20 using Sektor.

#Logic pro x tutorial beat making how to#

With Note Repeat, the rate can be controlled from the lowest octave of the keyboard, making it easy to record these rapid, machine gun-like hi-hat patterns with relative ease. (FL Studio + Sektor Synth) How to remake Ayo Technology by 50Cent and Justin Timberlake In this video we are going to remake Ayo Technology by 50cent and Justin Timberlake prod. Where things get decidedly more trap-like is where you actively vary the note division (between 1/8th, for example, and 1/16th) live during the performance. In a simple way, this could be a straightforward as a 16th hi-hat produced by holding down the hi-hat trigger. Note Repeat can also create some great glitch-and-stutter effects, or for those with a more acoustic persuasion, snare ‘drag’ articulations that a drummer might add to their performance.Īs the name suggests, Note Repeat creates a succession of drum hits perfectly locked to the tempo and grid of the track you’re working on. One really useful feature for programming your own drums is the Note Repeat feature, which originally featured as part of Akai’s MPC drum machines and is arguably responsible for the classic ‘trap’ hi-hat effect.